The information collection of 1,663 cultural relics from the museum’s collection was completed.
The signing ceremony for the strategic cooperation agreement between Prince Kung’s Palace Museum and China Literature was held in Beijing.
Feng Nai’en, director of Prince Kung’s Palace Museum, shared his view that “digital cultural relics” and “digital-driven operation” are essential for building a museum meta-verse, during an interview with Artron.net.
The metadata of 14,000 pieces of the museum collection have been catalogued, and the digital information of 30,000 pieces in the collection and ancient structures has been collected.
A cooperation framework agreement was signed with the Palace Museum.
3D digitization scanning technology was used to preserve original image data for the restoration of a Yuan Dynasty (1271-1368) imperial-style wooden Buddha statue with a gold lacquer coating.
The online ticket booking system was launched.
The digitization of archives related to Zhou Ruchang, a scholar of the novel Dream of the Red Chamber and a writer, started, in preparation for the establishment of the Zhou Ruchang Memorial Gallery.
The digitization of the Model Books of the Yijin Studio was completed.
The image studio of Prince Kung’s Palace launched a project to collect and store image materials as well as digitizing cultural relics and artworks from the museum’s collection.
Since its official opening to the public in August 2008 (both the residential area and the garden), Prince Kung’s Palace Museum has shifted its focus from tourism services and ancient building restoration to the overall operation of a museum focused on public services.
